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The Historical AnimalFrom Syracuse University Press
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The conventional history of animals could be more accurately described as
the history of human ideas about animals. Only in the last few decades have
scholars from a wide variety of disciplines attempted to document the lives of
historical animals in ways that recognize their agency as sentient beings with
complex intelligence. This collection advances the field further, inviting us to
examine our recorded history through an animal-centric lens to discover how
animals have altered the course of our collective past.
The seventeen scholars gathered here present case studies from the Pacific
Ocean, Africa, Europe, and the Americas, involving species ranging from gorillas
and horses to salamanders and orcas. Together they seek out new methodologies,
questions, and stories that challenge accepted historical assumptions
and structures. Drawing upon environmental, social, and political history, the
contributors employ research from such wide-ranging fields as philosophy and
veterinary medicine, embracing a radical interdisciplinarity that is crucial to
understanding our nonhuman past.
Grounded in the knowledge that there has never been a purely human time
in world history, this collection asks and answers an incredibly urgent question
for historians and others interested in the nonhuman past: in an age of mass
extinctions, mass animal captivity, and climate change, when we know much
of what animals have done in the past, which of our activities will we want to
change in the future?
- Sales Rank: #2505928 in Books
- Published on: 2015-09-22
- Original language: English
- Number of items: 1
- Dimensions: 9.11" h x .89" w x 6.00" l, 1.30 pounds
- Binding: Paperback
- 432 pages
Review
Coming at the non-human from multiple times, places, and
methodologies, The Historical Animal captures the vibrancy and
promise of history and animal studies. The collection spans the
globe and the centuries, bringing together essays on burros and
whales, zoos and city streets. Showing off the range and talent of
historians working on animals in the past from medieval England
to modern Chicago, The Historical Animal stands as the capstone
to a new and energetic school of inquiry. (Jon T. Coleman, author of Vicious: Wolves and Men in America)
One of the finest edited collections I
have encountered in animal history: fascinating,
readable, and accessible. It will
be appropriate to use with undergraduates
as well as graduate students. (Ann N. Greene, Department of History and Sociology of Science, University of Pennsylvania)
About the Author
Susan Nance is an associate professor in the Department of History and an affiliated faculty
member at the Campbell Centre for the Study of Animal Welfare at the University of Guelph,
Ontario, Canada. She is the author of Entertaining Elephants: Animal Agency and the Business
of the American Circus.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A collection of academic style, jargonny essays exploring new ways of incorporating animals in human history.
By lyndonbrecht
This is a collection of essays in which historians write about animals and history. They are academic in nature and some might be considered postmodern. For the appropriate reader this will be a good read, but many readers will find some of the essays puzzling, arcane and even peculiar. There's considerable use of the concept of animal bodies, as if the word animal did not include its body.
These strike me as they best and/ or most interesting of the 16 in the book. Sandra Swart writes about zombie zoology, bringing back extinct species, looking at the quagga--and also at Nazi German interest in these things. Lisa Cox discusses animals through telling about her experience organizing a veterinary museum. Gary Shaw looks at horses and actors, using actor-network theory, which is more readable than it sounds. Coception Zuleuta writes about gorillas and sigh language and wonders if we can ask animals questions and get answers from the, for a "first person natural history." Andrew McEwen looks at the human/ animal bond in Canada's first world war, mostly horses.
There's more, including leopard murders, New York as an anthrozootic city, the woody adelgid as an actor in the Appalachians. The basic points are that animals are not just objects or things, but active forces with impact on the outcome of any situation they are a part of, even if only a small impact is involves. It strikes me that in a way they are writing about human actions as part of a larger ecosystem in which all parts affect the whole.
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